The consensus was that while chapter one was much improved it still required one more editing effort by the group. But just one more. A final review to clean up the flotsam and jetsam still floating around in the text. We didn't discuss the details of what was wrong, just that it still has issues. I want to avoid infinitely editing this chapter, but I cannot ignore warnings from the group. I shall resubmit chapter one when my turn rolls around again.I had believed when the meeting began that the session would be short, a couple of hours at most. After all, this was the third time we had gone over this chapter. How much more was left to be said?
Four-and-a-half hours later I staggered away from the table bloody, bruised, and beaten; a broken man, a shell of my former self. I exaggerate, but the point remains that the session was longer and more grueling than I had been prepared for.
I expected people to point out awkward sentences, poor word choices, and other syntactic fluff. By "syntactic fluff" I do not mean these problems are not important to address, merely that they are correctable by a better choice of single words or altering a sentence or two. I.e. The solution is relatively easy to discover and can be quickly implemented.
In addition to points about syntactic fluff, however, there were also protracted debates about some of the underlying structure. Problems that cannot be solved by changing a word or sentence or even a paragraph, but could require another rewrite of whole scenes. Worse yet, embedded in the areas that have structural issues are elements I either really want to retain, or feel must be there for reasons not obvious to the reader at this moment. Elements that setup important plot points.
This leaves me with a quandary. Do I make major changes that make it hard to keep the elements I feel are important? Or do I ignore the group's warnings about the problem areas? Is there an acceptable alternative that lets me address their concerns while keeping intact what I want/need for later?
I wrote before about avoiding the infinite edit, in which I talked about this particular chapter. As I said then:
It is possible to edit a chapter over and over and never "finish" it. I could reword sentences and rewrite the same scene over and over. Infinitely editing the same chapter, never moving on to the bigger story. At some point you have to draw a hard line and say, "Yes it could be better, but it is good enough as it is right now."With regards to this chapter, I feel I am close to that hard line where you just fix the most glaring or easily solvable problems and ignore the rest.
I will think on this some more, review the notes from the meeting and listen to the audio recording I made. I will reread the problem areas with a harsh, unbiased eye. I hope to find away to address the bigger problems that does not require a major overhaul. Failing that I may settle for simply reducing the problems so they don't intrude into the story to the same extent they do now. That may be the best solution I can manage.